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“It is a Great Comfort to Know One's Work is Appreciated” by Michel-Vincent Corbeaux and Rob MacWolf

In a bit of a mystery, three detectives argue over a clue: a cryptic poem. Which of them, if any, understand what it really means?

Today’s story is “It is a Great Comfort to Know One's Work is Appreciated” by Michel-Vincent Corbeaux, who is soon to self-publish his first poetry collection titled "From the Plume" and is also an admin for the Wildside Literature Telegram group; and by Rob MacWolf, recently published in When the World Was Young by the Furry Historical Fiction Society.

Read for you by Rob MacWolf — werewolf hitchhiker.

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https://thevoice.dog/episode/it-is-a-great-comfort-to-know-ones-work-is-appreciated-by-michel-vincent-corbeaux-and-rob-macwolf

Transcript
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You’re listening to The Voice of Dog. I’m Khaki,

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your faithful fireside companion,

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and Today’s story is

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“It is a Great Comfort to Know One's Work is Appreciated”

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by Michel-Vincent Corbeaux, who is soon to self-publish his first poetry collection titled "From the Plume"

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and is also an admin

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for the Wildside Literature Telegram group;

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and by Rob MacWolf,

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recently published in When the World Was Young by the Furry Historical Fiction Society, and you can find more of his writing on SoFurry.

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Please enjoy “It is a Great Comfort to Know One's Work is Appreciated”

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by Michel-Vincent Corbeaux and Rob MacWolf I was in Lucky Jacques’s, down on St. O'Donnell street, of an afternoon,

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having a much needed brandy.

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I’d had a busy morning, let me tell you.

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It looked to be a busy evening as well:

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I needed to seek out offices of a prospective publisher or two,

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but it was still too early:

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all the editors and typesetters would still be busy themselves.

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My tranquil introspection was disturbed, however,

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by an argument carried in from the street outside.

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“Worries me that neither of you are taking this seriously, is all!”

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said the stag who shouldered his way to the table just behind my elbow

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to the hare and the cormorant that trailed in his wake.

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They were so clearly plainclothes police that they might as well not have bothered with the plain clothes.

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“We are taking it seriously!”

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insisted the cormorant as she signaled for a waiter.

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“You’re just wrong.”

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The hare took the seat in the corner.

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And yes, I know it is rude to eavesdrop,

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but the overheard conversation is one of the chiefest pleasures of a great city,

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at least among those that cost nothing,

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and it wasn’t as if I had anywhere to be just yet.

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Once they’d ordered

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—coffee and sandwich for the stag,

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onion quiche and whiskey and pineapple juice for the hare,

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sausage pierogi and a lager for the cormorant

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—the stag held forth once more.

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“This has the potential to become the kind of crisis that brings down a government!”

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“You say this based on a poem!”

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the hare replied.

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Which turned my curiosity to interest.

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“I don’t say it, it says it!

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It’s a clue,

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damn you!” “Allright!” the cormorant held up her wings like she was calling for silence among furious senators,

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“walk us through it then,

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because I don’t see it either.”

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“Thank you, I will!”

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The stag wore sharp, precise clothes and a bushy waxed mustache.

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He wore his trenchcoat ironed,

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and his antlers cut short and precise as if he might be called up to join a brigade at any moment.

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I couldn’t see what he pulled from his coat—not without abandoning all pretense of minding my drink and my own business

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—but I heard him slap it onto the table,

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and then read: "The Human Wage.

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He's given us a slip of paper To kill the Man upstairs;

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In screeching hues, there flashed the news —

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Yet no-one truly cares.

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Our lives will merely fade as vapor,

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When nothing left remains;

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Corroding shells in withered Hells

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Where hope is split from veins.

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veins." “Now tell me that doesn’t make your blood run cold!”

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he finished, then continued immediately so neither of them could say it didn’t,

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“A slip of paper to kill the man upstairs is this murder,

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obviously! The office was on the top floor, and the body was posed,

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post-mortem, to hold this ‘slip of paper’

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out of the blood on the desk. ‘He’

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gave ‘us’ this ‘slip of paper’ i.e. this poem, which means this murder was on somebody’s orders. Implies organization,

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a chain of command! ‘Us’

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and ‘our lives’

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imply a group, not a sole killer!”

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“So it was one of the mobs?”

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the cormorant finally got a word in edgewise,

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“they’re a concern, but hardly a governmental crisis.” “No, not a mob! Because ‘he’ didn’t just order Mr. DeLarynge’s murder, ‘he’

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gave them the slip of paper.

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Therefore part of the killing was making sure the poem, the explanation,

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was seen! Mobs, they don’t draw attention to their murders, least not like this!

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Leaving a deliberate

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and obvious clue means this death was to make a

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point, to send a message,

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and what a message: ‘no-one truly cares,’ ‘our lives will fade as vapor,’ and ‘nothing left remains!’

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Most damning of all, ‘hope

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is spilt from veins!’

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That is, hope is what comes of our killings,

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so we mean to continue them!

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That last line,” he snorted,

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“is a threat!” “A threat to what?”

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sniffed the hare.

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“Another murder, obviously!

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Look at the second verse: ‘our

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lives will merely fade as vapor’

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—haven’t the indolent young loudmouth types all been crying to heaven over updated artillery on the fortified northeast? ‘Corroded

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shells’ would be the gas canisters,

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announced for testing last month!

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And what was the late Mr. DeLarynge’s business?

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DeLarynge Foundryworks!

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Contracted to manufacture weapons for the army!”

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“It says, ‘Split,’ though.

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Not ‘Spilt,’” interjected the cormorant.

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“What?” “You said ‘blood is spilt,’ but that isn’t what it says,” she explained.

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“It says ‘blood is

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split from veins’”

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“Oh,” the stag stopped to consider,

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“ Well, that means close enough to the same that it changes nothing!”

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“In any case, some dissident students, no matter how murderous,” the hare shook his head,

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“don’t add up to a fallen government!”

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“If they’re funded and directed by a foreign power they do!”

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the stag gulped his coffee,

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even more ominously for the shocking lack of milk or sugar.

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“We all know what that pretend caesar across the river would love to do,

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if some moon-brained anarchists are emboldened enough to say, ‘well,

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we killed a warmongering robber baron,”

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he pitched his voice up, apparently in imitation, which still left him speaking at least an octave lower than anyone else in the room “‘well

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done us, but next must come the cabinet minister who signed the contract!

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The general who’ll use the weapons!

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The president who approved the plan!’

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Just the opportunity he needs, and then what follows?

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Chaos, and invasion!”

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“Even were your interpretation not

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laughably wrong, my friend,”

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the hare said, gently,

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“that would still be a reach.”

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“You see some other interpretation?”

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the stag harrumphed in the depths of his mustache.

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"Quite so." The hare cleared his throat and shifted in his seat,

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as if he had been sitting a certain way for listening

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and now had to sit a different way for explaining.

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"Now, you’re quite right that

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the position of the body holding the poem was deliberate,

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and that we are meant to find it.

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That it is therefore a message.

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But you've assumed that the important thing, to the killer,

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is the murder and the message is merely to explain it.

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But if that were so,

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then why not send a letter to the paper claiming responsibility,

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or hang up a notice board, or leave out pamphlets?

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There are a dozen

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safer and cleaner ways to do it

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if that is what he wanted.

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No, the message is not for the sake of the murder,

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the murder is for the sake

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of the message." "Get on with it,"

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growled the stag, who had a point.

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"Patience, my friend.

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friend." The hare was enjoying this.

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"Secondly, we need not yet assume

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more than one killer.

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It takes only one hand to write a poem,

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only one to cut a throat.

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I will grant, the poem says another decreed the killing—your hypothetical 'he'

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—but poems are not to be taken literally,

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and murderers are not to be taken at their word."

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"You think this was one killer, then?"

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said the cormorant.

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"Could this be done by one person?

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Yes. If so, would the sort of person likely to kill a complete stranger

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also be likely to write

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this poem? To need to express the kind of psyche that it expresses? 'Kill

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the Man upstairs' for example. You notice that 'Man'

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is capitalized, the same way one capitalizes 'God,'

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and would it not make sense to call Him

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'the Man upstairs?'

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So an intense religious obsession, perhaps

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anxiety that society has abandoned what he feels is sanctity, replaced it with godless industry.

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The result of which is the second verse, 'withered

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' again the capital letter.

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And the delusion that one’s own urges are imperatives

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from some other party

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is not uncommon, thus the killer thinks that ‘He’

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gave this slip of paper.

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Little realizing that ‘He’

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is himself!" "So a fellow feels,"

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the hare had built up enough momentum there was no stopping him,

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"he has some vital message.

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So strongly that it has overthrown his mind.

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But, alas, 'no-one truly cares.'

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He must make them care.

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He must present the message in a way

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that it cannot be ignored.

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And to be honest he succeeded,

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for here we are, talking about it.

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We wouldn't be doing that if not for M. DeLarynge’s death."

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"You think, then," the cormorant ventured,

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"it was just a frustrated madman who wanted someone to listen,

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and that’s the end of it?"

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"A frustrated maniac, yes.

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But the end of it?"

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The hare gestured toward the stag with the handle of his fork,

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"there I think the worthy inspector all too correct.

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If they get away with this, why,

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how long before they again feel they have something important to say?

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It is not a question of if they will strike again, but when.

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A grim prospect," finished the hare, though he clearly wanted to say 'fascinating' rather than 'grim.'

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"Neither of you asked the question that's been bothering me,"

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the cormorant stared into her empty glass.

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"Why is it a poem?" "What

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do you mean?" The stag was still grumpy. "Are we really about to discuss literary theory and the definition of poetry?"

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"You hadn't noticed we already were?"

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the hare interrupted, amused.

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"No no, I mean…" the cormorant had to rush her words to get ahead of them and grab the conversational reins again,

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"if it were just a manifesto,

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or maniac ramblings,

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then there's no need for it to be in verse.

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Verse takes effort,

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if someone writes it

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they do so for a reason. So what was it?"

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“You have a guess?”

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It sounded like the stag was more prepared to consider this theory than the hare’s.

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“Well, when you read it out in the office,

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there was something about it that sounded familiar.

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I couldn’t place it

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until I smelled the lager.”

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The cormorant lifted her glass. “That

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took me back to Grandma’s kitchen,

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to Grampa having a glass of beer in the afternoon while I did my homework on the kitchen table.

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And to the record they’d play.”

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“My darling light another taper

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And sweep me up the stairs

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To a hideaway, so fair and gay, For you and I to share.”

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“Either of you ever heard that?”

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When she apparently got no reply, the cormorant continued.

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“It was very popular for couples, back in the day.

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My grandparents danced to it at their wedding,

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and they were about the same age as DeLarynge.

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Look, whatever you think a poem ought to be about,

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whether it’s a political statement or a reflection of psychology,

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it’s still something

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written by a specific person, to specific people.

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Everything is there because someone chose it to be there, because

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they thought it would mean something to

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whoever it was for.

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So if it matches

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a sappy old romantic ballad,

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then the writer meant it to.”

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“You think you know why,”

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the hare said, “I assume?”

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“Well, the first thing I’d check would be,

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is there a Mme DeLarynge?

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If that was ‘their song,’

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if the two of them are the

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‘us’ and the ‘our’ the poem mentions,

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then making what sounds like a bitter,

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angry, despairing parody of it,

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that might be because a wife or a mistress

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found out about

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some other wife or mistress.

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I guess it could’ve been someone else—shouldn’t jump to the conclusion that the wife did it just because romance might be involved.

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Isn’t unheard of for people to act on what they think is a woman’s behalf, to avenge her honor,

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without even asking what she wants done.”

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The cormorant finished,

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“well, that’s where I’d start investigating,

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anyway.” “Makes sense,” grumbled the stag as the hare flagged down the waitress and paid for their lunches,

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“and it’s as good a place to start looking as any.

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But if this is a secret society of anarchists after all, then-”

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“Then you told us so, my friend. We know.”

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The hare pulled on his coat.

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“Back to work, then.”

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I kept my face turned away

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as they passed behind me.

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I ordered another brandy once they’d left.

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And I thought about Mr. DeLarynge.

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“The doctors say I have a bad heart,”

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was the first thing the old toad had said when he realized he wasn’t alone.

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“It makes a man think,

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to be told he does not have long to live.”

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I told him that yes, in my experience that was so.

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“In your experience, then,

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do people wish they had never agreed to run the family business?

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To have instead kept writing poetry,

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gain skill until they could actually call themselves a good poet,

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finally produce something beautiful and worthy?”

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Perhaps not exactly in those terms, I assured him,

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but more often than he might think

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“Look at me,” he snorted,

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“so old and apathetic that I just sit and chat with you, instead of

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fighting or fleeing.

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But then, who else is there to hear my last words?”

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He looked wistfully out the windows, over the city,

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a view too high for any other person to be more than a speck.

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“I don’t imagine you can say who has

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hired you.” I apologized,

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it was a matter of client confidentiality.

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A respectable businessman such as himself must know-

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“Ah, of course. I quite understand.”

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He tried to chuckle to himself,

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but it came out as a disappointed sigh.

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“And I suppose, given what I have made and sold these last years,

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that you are not alone in making a living off the deaths of strangers.”

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You see, sir, I said,

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you are a poet after all.

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“I was toying with the wording of something on that subject when you came in.

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Instead of seeing to my work. Would

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that I could have brought myself to abandon the wretched business altogether,

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and could be remembered for something I actually believed in.”

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He looked up at me sharply, then.

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“Do you take last requests?”

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I had to admit that I usually cannot.

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Most things of that sort are beyond my capabilities.

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“Ah. Well, I do not see how you could fulfill this one, at that.”

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Might I at least hear it?

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“If I were vouchsafed a request,

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it would be that people read my poems. But then,

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what could you do there?

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Nobody wants to publish poetry, sir. Believe me I have tried.”

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And I know I should have left well enough alone,

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and yet I said: Well,

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if it’s only some poems by some rich old fuddy duddy, you’d be right enough,

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no interest there.

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But poems by the victim of a shocking, unsolved murder?

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He sat up at that.

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One of which might,

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who knows, secretly contain the clues to solve the mystery?

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I saw excitement gleam in the toad’s eyes.

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Why sir, the bookstalls won’t be able to keep up.

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The talk in the cafes will be of nothing else, at least for a while.

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He looked like an excited schoolboy,

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who does not yet believe he’s being given a holiday.

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“Does it not seem… cheap, and sordid, though?

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I feel like a cheat,

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dying just for attention’s sake.”

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Well sir, I said, I’m afraid the dying is inevitable, now that I am here.

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And even were I not, there is the heart condition you mentioned.

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You may as well get as much out of the unavoidable affair as you can.

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And that seemed almost to persuade him, so I pressed:

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Perhaps, sir, you could select a favorite,

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something cryptic

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and ominous if you have it?

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To whet the public appetite when the news breaks.

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“Oh, oh indeed! I know just the one!”

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he pulled a thick notebook, with pieces of scrap paper stuffed between the pages, from his desk drawer.

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“You are an extraordinary assassin, sir.”

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Thank you, sir, I smiled.

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It is a great comfort to know one’s work is appreciated.

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I finished my brandy.

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The detectives were long gone.

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The sun was setting as I left St. O’Donnell street

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and went looking for a publisher with whom to leave,

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anonymously, overnight,

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the manuscript of poems in my inner pocket.

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I have no doubt the public will appreciate them.

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This was “It is a Great Comfort to Know One's Work is Appreciated”

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by Michel-Vincent Corbeaux

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and Rob MacWolf, read for you by Khaki,

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your faithful fireside companion.

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You can find more stories on the web at thevoice.dog, or find the show

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wherever you get your podcasts.

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Thank you for listening to The Voice of Dog.

About the Podcast

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The Voice of Dog
Furry stories to warm the ol' cockles, read by Rob MacWolf and guests. If you have a story that would suit the show, you can get in touch with @VoiceOfDog@meow.social on Mastodon, @voiceofdog.bsky.social on Blue Sky, or @Theodwulf on Telegram.

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